Fact-Checking Bieber’s World Cup Worship: Song Origins and What Really Happened

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The viral hook "everything that I have praise the Lord" is not an entirely new concept in Christian hymnology, but Bieber’s iteration represents a deliberate blend of scriptural allusion and modern pop songwriting mechanics. The central hook draws heavily from Psalm 103:1 ("Praise the Lord, my soul; all my inmost being, praise his holy name") and the climactic injunction of Psalm 150:6 ("Let everything that has breath praise the Lord").

Songwriting registry entries registered in early 2026 reveal that Bieber co-wrote the track alongside recurring collaborators, including members associated with the contemporary worship collective Maverick City Music and veteran gospel producer Aaron Lindsey.

The structure of the song relies on three distinct musical layers:

• The Traditional Call-and-Response: Bieber sings an opening confession of human limitation, answered directly by a wall of vocal harmony from the choir.
• The chorus strips away complex jazz progressions, relying on five core notes that make the phrase instantly singable for a global audience, regardless of primary language.
• Beginning with raw, unpolished vocals accompanied only by an organ, the arrangement gradually layers organic percussion, avoiding synthetic drum machines until the final crescendo.

The composition reflects a broader movement within contemporary worship music to abandon slick, arena-rock polish in favor of raw, vocally driven spirituals that resonate across both church gatherings and streaming playlists.